The opening visual is striking. Sergio Camacho in tasseled silver pants, crawls and undulates on the floor. Two others run in a circle, connected, yet seemingly lost. There is something just beyond their yearning fingertips. What is this world we have been dropped into? It reverberates with liminality. As though they are stuck between two worlds and are not sure how to escape. As this stark scene dissolves, a single dancer joins from the dark abyss upstage as another leaves. Sinewy textures build and collapse within their bodies as they build tableaus of relationships that dissipate just as quickly as they were formed. “Come…The Sun Doesn't Wait,” choreographed by Omar Román De Jesús, builds this world, then elongates its presence, allowing the viewer to mull over its internal atmosphere for the length of its duration. The reprise of this work in Saint Louis Dance Theatre’s concert “(RE)CLAIM”, Program B Matinee, set the stage for the ensuing journey that this concert of four male identifying choreographers had in store.