CELEBRATING ST. LOUIS’ VIBRANT DANCE COMMUNITY

St. Louis Dance HQ’s Blog is a compilation of writings and performance reviews from a variety of St. Louis based dance writers. If you’re interested in sharing your writing on our blog, please email stlouisdancehq@gmail.com.

HQ Review: MADCO’s Dare to Dance - Saturday
HQ Review, MADCO Josiah Gundersen HQ Review, MADCO Josiah Gundersen

HQ Review: MADCO’s Dare to Dance - Saturday

The lights flicker off as Kayla Montgomery takes the stage of COCA’s Berges Theatre. At just 14 years old, Kayla had been chosen to perform a solo she created as part of MADCO’s Emerging Student Choreographer Program, in partnership with St. Louis Academy of Dance (SLAD). As the music swells, Kayla emanates a poise and assuredness about her presence on stage. She effortlessly oscillates between multiple movement qualities within a single phrase, capturing the range of a leg extension that then melts to the ground and allows the weight of the floor to sink into her hips and torsos. She uses her spine to punctuate the subtle riffs of Otis Redding’s Try a Little Tenderness, before gliding over the stage with a turn that fills the entire room. Her intuitive musicality and ability to seamlessly transition from one style of movement to the next made Kayla’s performance one of the most striking of the evening, and perhaps most evident of what MADCO’s Dare To Dance Festival is all about. A festival, led by Artistic Director Arianna Russ, to showcase the immense amount of innovation and collaboration that exists in the St. Louis community and beyond.

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HQ Review: MADCO’s Dare to Dance - Friday
HQ Review, MADCO Melissa Miller HQ Review, MADCO Melissa Miller

HQ Review: MADCO’s Dare to Dance - Friday

MADCO presented the first performance of the dance festival, Dare to Dance, on Friday, January 19th. The evening was the first of two performances as part of the festival and featured 13 dance pieces from various independent choreographers and dance companies in St. Louis and beyond. When writing about large performances, the prevailing challenge becomes discerning which pieces to mention. One option is to write in detail about every piece, though the risk is to belabor the task, another is to choose dance works at random, and the very worst option is to write about the dances which are personally most enjoyable to the writer. In lieu of these unsatisfactory options, the pieces mentioned here are those which for various reasons stood out as singular from the rest of the program. The night was full of talented artists and interesting choreographic viewpoints and any who are left absent here should not be viewed as a statement of merit but of the necessity of brevity.

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