CELEBRATING ST. LOUIS’ VIBRANT DANCE COMMUNITY

St. Louis Dance HQ’s Blog is a compilation of writings and performance reviews from a variety of St. Louis based dance writers. If you’re interested in sharing your writing on our blog, please email stlouisdancehq@gmail.com.

HQ Review: Saint Louis Ballet’s LOVEX3
HQ Review, St. Louis Ballet Sarah Crawford HQ Review, St. Louis Ballet Sarah Crawford

HQ Review: Saint Louis Ballet’s LOVEX3

Saint Louis Ballet’s production of Love X 3, which took place at the Kirkwood Performing Arts Center February 16-18, 2024, featured three pieces of varying styles of ballet, created by three different choreographers.  The performances in this show clearly displayed how versatile ballet can be and gave everyone in the audience something to appreciate about ballet, no matter what their personal preferences may be.

Read More
HQ Review: The Big Muddy Dance Company’s EVOLUTION: Program A
HQ Review, The Big Muddy Dance Company Sarah Crawford HQ Review, The Big Muddy Dance Company Sarah Crawford

HQ Review: The Big Muddy Dance Company’s EVOLUTION: Program A

EVOLUTION continued The Big Muddy Dance Company’s season at the Catherine B. Berges Theatre on January 11-14, 2024. This winter concert featured three different programs with a mixture of both familiar pieces and world premieres. This review in particular will focus on the pieces in Program A, which the company performed on Friday, January 12.

Read More
HQ Review: The Big Muddy Dance Company’s “Awakening” (Program A)
HQ Review, The Big Muddy Dance Company Sarah Crawford HQ Review, The Big Muddy Dance Company Sarah Crawford

HQ Review: The Big Muddy Dance Company’s “Awakening” (Program A)

On November 2 and continuing through November 5, The Big Muddy Dance Company delighted audiences at its fall concert, Awakening, at the Catherine B. Berges Theatre at Center of Creative Arts. Awakening featured Program A on November 2 and 3, and Program B for both the matinee and the evening performances on November 4. This is a review for Program A, which included two pieces that premiered in The Big Muddy’s spring performance last May and a new premiere that evening.

Read More
HQ Review: Ballet 314’s “Fall Fête: Twisted Tales</a>”
HQ Review, Ballet 314 Sarah Crawford HQ Review, Ballet 314 Sarah Crawford

HQ Review: Ballet 314’s “Fall Fête: Twisted Tales

​St. Louis dance companies have packed this month’s calendar with their first shows of the 2023-2024 dance season. The most recent company to present their opening performance is Ballet 314 with Fall Fête: Twisted Tales, held on Saturday, October 21 in the Strauss Blackbox Theater at the Kirkwood Performing Arts Centre. Now in its second year, Fall Fête was a mixed bill show that featured three separate works performed in an intimate setting, as well as a fundraising event for the company. This review will cover the evening performance, which included an elegant pre-show cocktail hour and post-show reception, as well as brief talks from company directors Rachel Bodi and Robert Poe. Fall Fête celebrated Ballet 314’s growth as a company and took the audiences’ breath away with gorgeous dancing and engaging stories behind the pieces performed.

Read More
HQ Review: St. Louis Rhythm Collaborative’s “Live at the Last Hotel”
HQ Review, St. Louis Rhythm Collaborative Sarah Crawford HQ Review, St. Louis Rhythm Collaborative Sarah Crawford

HQ Review: St. Louis Rhythm Collaborative’s “Live at the Last Hotel”

​STL Rhythm Collaborative opened its season with Live at the Last Hotel, performed at Missouri Baptist University, October 6-8. This unique show featured tap, jazz, and modern dancers made up of company dancers and trainees from moSTLy Tap, Washington University dance students, Missouri Baptist University dance students, and individual dancers from the St. Louis community. They all shared the stage with The Hard Bop Messengers, who provided the live jazz music onstage for the entire performance.

Read More
Spotlight On: Mark-David Bloodgood
Spotlight On, St. Louis Ballet Sarah Crawford Spotlight On, St. Louis Ballet Sarah Crawford

Spotlight On: Mark-David Bloodgood

Mark-David Bloodgood is originally from Seattle, Washington and grew up training at the Pacific Northwest Ballet School. He studied there for 12 years and then danced in various companies throughout the country until he landed in St. Louis in 2016. His enthusiasm for life—both onstage and off—is contagious, and he was eager to converse during this interview the week before Saint Louis Ballet began its 2023-2024 season. The company’s first performance, Giselle, will take place on October 6-8 at the Touhill Performing Arts Center on the campus of University of Missouri-St. Louis.

Read More
HQ Review: The Big Muddy Dance Company’s BLAZE
HQ Review, The Big Muddy Dance Company Sarah Crawford HQ Review, The Big Muddy Dance Company Sarah Crawford

HQ Review: The Big Muddy Dance Company’s BLAZE

​The Big Muddy Dance Company presented Blaze, its final show of the 2022-2023 season, from Friday, May 19 to Saturday, May 20 at COCA’s Berges Theatre. This review will focus on Friday night’s show, which the company performed in front of a packed house. The Big Muddy Dance Company will also stream Blaze online Friday, May 26, through Sunday, May 28. The Big Muddy performed three pieces in this evening-length show, in which the dancers embodied choreography that displayed contemporary movement that was both fluid and strong. Each piece had its own choreographer and concept, which treated the audience to a variety of dance to enjoy in one evening.

Read More
HQ Review: Ballet 314’s “Ragtime: The American Experience”
Ballet 314, HQ Review Sarah Crawford Ballet 314, HQ Review Sarah Crawford

HQ Review: Ballet 314’s “Ragtime: The American Experience”

Ballet 314 presented two performances of Ragtime: The American Experience at the Blanche M. Touhill Performing Arts Center on the campus of University of Missouri—St. Louis on Sunday, May 14. Robert Poe, Ballet 314’s Artistic Director, choreographed this full-length ballet based on the novel Ragtime, written by E.L Doctorow. The company had originally performed this ballet in 2021 with roughly a dozen dancers onstage. This past weekend’s performance not only showcased a cast nearly doubled in size comprised of both company members and local guest artists, but also marked Ballet 314’s performance debut at the Touhill. After both the 2:00 and 7:00 performances, the audience was invited to stay for an informal Q & A with members of the cast and the directors, which was moderated by Joanna Dee Das and Erica Hill, respectively.

Read More
HQ Review: St. Louis Ballet’s “Swan Lake”
HQ Review, St. Louis Ballet Sarah Crawford HQ Review, St. Louis Ballet Sarah Crawford

HQ Review: St. Louis Ballet’s “Swan Lake”

Saint Louis Ballet presented Swan Lake at the Touhill Performing Arts Center on the campus of the University of Missouri—St. Louis from April 28-30. This production of Swan Lake was noteworthy for Saint Louis Ballet because it was originally part of the 2019/2020 dance season that the pandemic forced to an early end before Swan Lake could take the stage. The 2022/2023 season not only put Swan Lake back onstage, but it did so with live orchestra music for the first time in the company’s history, provided by the Springfield Symphony Orchestra.

Read More